Aldo, my friend, speaks strongly like a strong rumbling volcano passion creating a continuous flame purifying the metal of social vision: A fusion of surrealistic bitter wit and tenderness bounded by love. Aldo, the master artist who lives poetically, in the shrine of his soul-mate eternally resurrected in dreams of a just and beautiful life. O art, the ultimate anarchist bide with us, the poor, the wounded lamb of bourgeois slaughterhouse seeking paradigms for the just. O art, song of the spirit ride with us, these desperate daze, ranting among the remnants of a continuous disasters; O life inconsolable these hordes of dispossessed: The children, tattered waifs with demons leaping from their tongues bizarre landscapes fracturing their frantic lives. Where the cornucopias? Where the promised of paradise? All of us immigrants of imagination captives of the beautiful lie. American dreams lost junkies of common nod, the random God merciless among idiot supermarkets, pimps of idiot plenty, with its infinite game show wheel game show wheel eternally spinning lies for the suckers-salesmen and small town rubes; loveless husbands forever philandering: one last fuck among the display manikins blond Barbies weeping in dust. Aldo, old magician among your poems and mementos of a grander age, when we had black hair, passion to explode myriad volcanoes raining revolutionary lava among skyscrapers leaning like Pisa in the quicksand of age. Art and Anarchy, Art and Socialism, Art and free spirits unbounded emerged releasing Prometheus from his eternal rock. Poets then paraded through suburban mind-sets releasing doomed sycophants from monsters bloody claws. American dreams in drag, Draculas masquerading as lost merchants, hucksters used car salesmen with Nixon profiles sporting Reagan haircuts in the winds of history; in the winds and miseries among bowling alley owners conjugating ruin. What can we say to the robots to the sycophants, Aldo? We, tattered men in baggy pants, rheumy eyed old guerillas jazzmen, fanatic lovers among the dispossessed aging hippies saboteurs of the American nightmare released like a killer virus upon an unsuspecting world? Fight, sing, fight, dream; question endlessly, discover lost beauty in the wounded single mothers desperate housewives in tenements lost fathers tattered dreamers, baby-faced desperados holding subways hostage in the dynamo of the American night…..And somewhere in an unrecorded womb a new infant age is coming into birth old comrade; and our multitudinous wounds and sacrifices will each bear fruit in that new day when the lonely crowd discovers art and visionary joy in the solace of mutual embrace. Askia Touré Dear Grandfather Poet, our dear great one Eternally be the shining star that you are in the heart of darkness. BE that arms-wide-wide huge sumi-inked circle of light in infinite Blackness Circle of blackness inked on newsprint on canvas of light shining: YOUness. You above all ! For who else will let themselves face this madness, stand and *know* the Blackness that speaks truth to the Madness of our green world, all dust and fire. The people of Africa, Haiti, Cambridge, Boston need your voice. You have always been friend of the Black people – either the white skinned darkness loving art people – or the black skinned shining light children of ghetto dirt. You are our friend, and we love you. amatul hannan | |   Askia Tour?with Aldo at the South End Tech Center
Aldo Tambellini dirty footed saint sacred elder of imagio magic perfect in all imperfections you are needed in this world. LIVE!
peace Amatul
The Boy in the Killing FieldsThe boy, the bombs, the guns, the hate that fills the air, the fear pervading life, the death, the terror, injustice, oppression ... Where is hope? Where is hope? In him. in him, in him, surviving by hope, by strength of mind, by grace of God ... surviving, surviving to grow ... to grow, to speak, in words, in art, in film ... to cry peace, decry the cycle of war, and plow the seeming endless field, killing field ... to plow the blood beneath the soil, and in the killing field to plant the gentle bright and joyful blooms of the hope, the peace, the fierce and steady love that saved him. Can it save us all? ---------------------- ed pacht © 2007 |
To Aldo
In a generation where people are cursing, fighting and killing their own There you stand alone Pale in a world full of shade And you understand Standing alone like a soldier in a battlefield Fighting in unity against a situation that I, myself, believe is hopeless But you persist Darkness encompasses, things never get better But you believe And so that makes me believe and maybe that one voice in the midst of all the harsh vocal lyrics one day will awaken my men, our men, the children of our seed So that we will no longer be thought of as “bitches and whores” But as heroines Women of Power
Lafonde R. May ‘94   Aldo with Gerard Malanga
Aldo He came to these forlorn shores with just a small suitcase in hand and a childhood history, a memory he couldn't explain. He came out of bombs bursting in air and in the nextdoor neighbor's backyard within an inch or two of his life. Something dark and foreboding, nor could he remember those bonfires lighting the hills nor something dark after that. Something deleted from history, but not from the hands over both eyes. Something skyward and dark something dark and foreboding like in those matinee movies silent like those caves in the hills. Gerard Malanga  
Listen ~ for Aldo Tambellini by Kamaria Muntu This is not merely a black feather dripping in slow dada esque motion … or a train in a dark tunnel running unceremoniously over a homeless man These are not merely white light flurries scanned from the brains of modern prisoners & Ethiopian slaves nor the bespoke ramblings of a mad animator with a projector and a paint brush He is not inviting you to see hear feel taste know the nothingness of your own ecstasy This is not an imagistic, celluloid graveyard to make compost over the dead flesh of war orphans This is not your kitsch outing your limp-hearted dance of liberalism while you crumble Oreos in your soup This is not where you pick up your pay check from the federal government making ape sounds miming liberators this is not your mtv This is the bombing that would not crucify him the history that did not exhume a headless boy the miracle unleashed in torrential visions … of art levelling the doomed ashes lifting the crows, personifying mercy screaming the way signifying mathematical jazz a lotus sound flashing vibratory harsh soft circle wounded complete pointing to the Black, the matter, the cosmos, the all of his sight This is not a night out perfumed in formaldehyde and starstruck sequins … but who he is what he brings might just save an unknown part of your mind from the herding the consciousness could rain to unforeseen altitudes listen let the dope seep out of your miles, your veins listen witness the ammo blinding the sky note that it did not kill you when it fell   Amatul with Nate
Nate -Peacenate Survivor of the death grip of psychiatric hospital Hurdler of the maddening schemes of doctors Battler against the evil monster of anti-depressant drugs! A heroic feat to be matched by no man in this day and age The Iron Fist Missed Aldo
Hey how's it going? A little impromptu midnight poetry for you. I hope it's not too sardonic for you LOL! I don't know if you might scoff at such irony.
Well, I hope you are laughing and very relieved to get back home Aldo! We want you to be you! We love you Aldo. We need you to be our hero fighting the Great Wurm of Nationist Military-Industrial-Corporate-Media Mind-Fuck programming that enslaves this populace.
You know what really matters. I think that that is what matters - knowing what matters and saying it, and doing it, and telling the truth
We cannot dissemble the Master's house with his tools. It must be a revolution of changed minds ones who are open enough to create and forge a self-reliant path within the jungle of information heaving around us
If we look at what really matters our family, loved ones, friends, caring about a good connection in person throw down our mediated dialogues throw down our machine-made advertisements for machine-made poisons disguised as culture throw down our stubborn independence that relies so heavily on machine-made devices that rule our lives throw it away so we can look again at what really matters Maybe we can find more genuine deep breaths Maybe there's genuine affection that is not perpetrated by skinny models of sexual displays actual affection for one another
Come down to earth and love another person genuinely. Hi up there. We are working on what really matters.   Tontongi with Aldo
Tontongi The Last Poem (dedicated to Aldo Tambellini) I shall write a poem that will tell it all, sing the nightingale’s nightly song, penetrate the labyrinth deep inside, unveil its mystery’s inner soul. I shall turn on the light and open up the doors and the ceilings to the immense oversight of infinitude; I will tell Cedye’s story his slow pace to the martyrdom’s state where his spirits were lost to Aganman. I will tell how Marie Lagone was defeated and ceded to the worms never again to regain her glory in our world. My poem will revisit Ti-Gerard painting the belly of the Beast with beautiful colors; I shall make it a Pantheon from Hell, the twist in the depth of quiet indifference toward a destiny made to cry alone yet screaming to help the baby from dying. I will tell the travails of Magdalena, proud Amazon losing her universe on a flip of a dice, here and there there were losses because no one was there to help reinvent our cosmos anew; there was suffering all over. When Hell governs the celestial values our empty frailties are gone to the abyss; I will tell what it was that went wrong, reenact the primal nurturance of the land before Good-Feet killed himself on a binge; I shall tell what should never be told. My poem will tell my story both my glories and my pain; I will tell my nocturnal wonderments my lonely rêveries at the Saint André Park behind the eerie colossal shadow of the Reims Cathedral; I will tell my love for Christina the beauty once lived before Armageddon; I shall tell of my youth consumed by my dreams. My poem must reveal the horrifying degeneration of life toward irrelevance; I shall tell why all looks so normal in so dimmed everyday life’s nightmare; I will tell the loss by my country of its nutrients, eroded from its roots; I will sing and curse all the same the serial death of my brothers and sisters sacrificed to the altar of natural selection, murdered by Haiti’s murderous poverty; I shall tell the unfairness of their fate. I shall write the ultimate poem the silent cry of the Zebra’s complaints, the trap of the vast multitude within the infernal coercion of exploitation; I will tell the alienation of the policeman whose gun is a curse dreaded by his own conscience, perishing in the Great Void of Contingency; I will sing a song, a simple melody for the no man’s land. My poem will be made of tears for those who have no more left to shed; I will tell what happened to Michel crossing his entire youth’s path from running to running for his life until he was found dead at midday no one ever knew what his story was. I shall tell of my purgatory just like Mumia Abu Jamal told of his sojourn in hell; I shall tell of the police brutality victims suddenly transformed to Atilla the Hun to cover the mayhem. I shall tell of the banning of poetry in state affairs; I shall tell The Amadiou Diallo’s story the Louima’s and Dorismond’s stories, I will tell it all in one verse. My poem must expurgate my manhood unveil the animality of the best of my being, reveal both the monster behind the friendly smile and the humanity of my most evil deeds; I shall undress the species to its pure nudity, relegate our vanity to the dustbin of time; I shall tell a new story. I shall write a poem that will destroy it all the beauty as well as the ugliness the love as well as the hate; my poem will start from the scratch from the point where nothing is cursed or blessed from the point of total innocence. I shall write a poem that incites a global destruction, a new Big Bang giving way to a new nothingness, an original feast where all splendors are there, there, at easy reach to the human frailties. I shall write a poem anti-poem a poem that will not be read to the king, a poem for all that is not there and should be. I will write a poem to cry, cry the waste, the losses and the non-sense; I will write a poem to tell you I was there in blood and in flesh witnessing both the calvary and the great potentials for a work of beauty; I shall write a poem for happiness the kind only kindred spirits have experienced; I shall write a poem just to be. I shall write a poem for only the pleasure I extract from my state of total freedom, for the ecstasy in conquering evanescence; I will write a poem for the glory from the smile of a beautiful child; I will write a poem to celebrate the cerebral, and yet subliminal cadence of the sexy gal crossing the street with celestial wisdom mixed with sweat, blood, contemplative sins. I will sing the freshness of the dawn, the sun’s majestic and ever peaceful sleep, the pubertal elegance of the spring roses, I will sing the beauty that is already there. The poem I will write will be hurting inside and boasting outside just like my life has been; it will radiate of the multiple splendors of the spleens, turning the drought to a generous spring and the desert of hell to a fertile Eden; my poem will embrace the Grand Canyon, recompense the artist’s inner pace, and plant flowers along the lonely road. I shall write a poem that will end it all, all that contributes to the engine of hell; I shall write a poem just to say nothing, simply to be there. I shall write a poem to destroy poetry and put in its stead a big proclamation: No more unnecessary death No more anti-woman testosterone No more Wall Street speculation No more bosses that boss people around No more bastards who hate life No more rich people that live off poor people No more whites that kill blacks No more blacks that kill whites No more schools that produce dummies No more idiots with a license to be idiot No more superwomen that become hyperbitch No more misogynous heroes paternalist monsters libido destroyers No more abusers of children No more people who choose death over life No more zombies aiding zombie-makers No more innocent people in death row No more refugees dead in high seas. I will write a last poem a poem of love a poem for you to read a poem that will tell who we are I will write a poem to incite multiple impulses a Big Boom of creative happenings, a renaissance since the primal vision. | |   C.C. Arshagra
In the key of listen It’s a brutal world The cold sleep and the sharp edited-listen paints with reality black Harsh word-lights’ shine into the crevasses of daily denial Fathoms of deep innocence are in a coma of ignorance bleeding It’s the blood of yesterday’s headlines that appear red and dead-awake on the hands of today as conservative safe-clouds break and the black of sun comes as a gift of going blind to understand seeing one relatively small planet clear through the brutal world of illuminated-lies using you like a free-puppet with painted eyes glassy and looking open to believe that if a rock or rocket of truth were to strike the center of your brushed on and glossed over cornea Nothing would change or shatter. Look. The strings Nothing could cut the tethered motivation attached to your hands where armed weapons might live Attached to a smiling fist up your spine Ready to bare fangs at the squeeze of a trigger Ready to bear down on shredded information Shaving of voices from where no lips are moving All just as if you would still believe to be the very source of your own freedom C.C. Arshagra © 2006  
BLACK IS ... for Aldo Tambellini by Everett Hoagland 1 black, the eternal backdrop of infinity black, the infinite background of eternity without which we would not see stars or our white-gray moon, venus, jupiter, mars Maestro of the art of being a sane, humane human being, teacher of artful seeing 2. in mind you still walk two little black girls -- who each sometimes feels like a motherless child -- across the street from madonna addiction, up the way from the junction of incarceration and dysfunction streets to the park playground, to the chain-linked swings, see- saw and see them as swinging poetry, swing upward toward the baby blue sky and down toward ground again, and again, two kids from a culture chained to rhythm yet liberated by it, linked to the anchor chains of slave ships rocking, rolling in sea blues, freed in swing dance music's, "until i met you" in a "corner pocket" of infinity, you saw two little girls on the sisyphean swing rise, fall, rise, fall, rise with their eyes lit with affirming delight, rise and fall in rhythm with their hearts, in rhythm with life, death, in innocence and experience, you see them see- saw and grow and go out into their womanhood, into the man-made world that crippled their mother's consciousness, that jailed their father in a velvet cushioned twelve-bar cage called capitalism se-saw all of that as they swing back and forth, up and down, your daughters, brother, your sister's daughters in the human family, in your manifest metaphor for our father who art ... 3. ... black is back and back to black and black is black and back for good white-light is black and yellow's black and black is beige and reds are black and black is tan and blues are black and black is blue and black is black is black is black is back and good!! and god is black and christ was black and good is black and evil's not and lack of black is blank and give it back and black give back to black or blacks will take it back and black is black is black is black is black is a cosmic fact is black is black is black is black is black IS!!! 4. for those who see artfully was always is is always was what always shall be " ... even unto the end and for evermore ... " black, the infinite backdrop of eternity black, the eternal background of infinity |