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| bibliography | ||||||
Books “Art and the Future,” Praeger Publishers, New York - Washington, pp 84-85, 89. “Art and Life,” Udo Kultermann, 1971 Praeger Publishers, Inc., 111 Fourth Avenue, New York, NY 10003, pp 58, 101,104, 132. “ART of the 20th Century,”TASCHEN, TASCHEN America, 6671 Sunset Boulevard, Suite 158, USA-Los Angeles. CA 90028, Volume II, Ruhrberg, Schneckenburger, Fricke, Honnef, p 592. “Asthetics und Technologie,” (1978) Hochschule fur Gestaltung, Offenbach Am Main 1982, pp 8-91 (photos). “Boris Lurie, Geschríebígtes / Gedíchtígtes”; Ein Titeldatensatz für diese Publikation ist bie der Deutschen Bibliothek erhältlich Eckhart Holzboog Verlag GmbH, Stuttgart-Bad Cannstatt und Für die Texte unde Abbildungen bei Boris Lurie, New York, den Autoren und ihren Rechtsnachfolgern; pp280-281, 304, 312, 407. “captured” a film/video history of the lower east side; Patterson, Seven Stories Press, 140 Watts Street, New York, NY 10013 2005, Printed in Canada; 2005, pp 41-56. “Closed Circuit,” Videoinstallationen, Slavko Kacunko, 2004, pp 146, “Copy Art”, The first complete guide to the copy machine; Alexander, Firpo, Katayanagi, Ditlea: Horseguard Lane Productions, Ltd., Richard Marek Publishers, Inc., N.Y. 1978 pp 42,105. “Deutscher Künstlerbund,” 36. Jahreasausstellung 1988, Center for Advanced Visual Studies, Masschusetts Institute of Technology, Cambridge, MA 02139, pp 26, 57, 172-173, 180. “Don Snyder’s World of Photography”, Don Snyder, Whitestone Publications: Greenwich, Connecticut, 1967 pp 86-91. “Eigenwelt Der Apparate – Welt”, Pioneers of Electronic Art, 1992, THE VASULKAS, INC., Route 6, Box 100, Santa Fe, New Mexico, 87501, USA, pp 91, 156. “The Electric Journalist”, An Introduction to Video; Praeger Publishers, 111 Fourth Avenue, New York, NY 10003, U.S.A., p 95. “Electronisches Gestalten In Kunstund Design”, Richtungen Institutionen Begriffe, Jurgen Claus, 1991, Printed in Germany, 5th page of pictures, p 130. “En torno al Video”, Bonet, Dols, Mercader, Muntadas: Printed in Spain, 1980, pp 117; 241-248. “Expanded Cinema”: Gene Youngblood, E.P. Dutton & Co., Inc., New York, 1970 pp 299,308-309, 314; 381-383 (photos pp 309,310,382). “Film as a Subversive Art”, Amos Vogel, Random House Inc., 2006, “40 YEARS VIDEO ART.DE”- 2006, Part 1, Frieling/Herzogenrath, Kunsthalle Bremen, K21 Kunstsammlung Nordrhein-Westfalen, Düsselford, Städtische Galerie IM Lenbachhaus, Munich, Museum Der Bildenden Künsste Leipzig, ZKM 1 Center for Art and Media Karlsruhe; pp 098-103. “Future Cinema”, The Cinematic Imaginary after Film, Shaw and Weibel; The MIT Press, Massachusetts Institute of Technology, 2003, Cambridge, Massachusetts 02142; Tambellini p 113. “The Great Hippie Hoax”, Award Books/New York: Tandem Books/ London, Joel Raleigh, Editor, 1968, p 15. “The Hippy’s Handbook,” Ruth Bronsteen, Canyon Book Company, New York, 1967 pp 22, 32. “Kinetic Art, Origins and Development of”, Frank Popper. New York Graphic Society, pp 199-200. “Kunst und Video”, Gruber, Vedder, 1983; Dumont Buchverlag Kiln, Alle Rechte verbohalten, Satz und Druck; Rasch, Bramsche, Buchbinderische Verargeitung: Boss-Druck, Kleve; pp 67, 198-199. “Movie Journal”, The Rise of a New American Cinema, 1959-1972, Jonas Mekas, Collier Books, 866 Third Avenue, New York, NY 10022, pp 215, 217, 247, 250. “Negative Space- Manny Farber on the Movies,” Manny Farber, Plenum Publishing Corporation, New York, NY , 1971 pp 245 (Experimental Film Chapter). “The New Bohemia”, John Gruen, Shorecrest, Inc., Grosset & Dunlap Edition, 1967 printed in the U.S.A., pp 39, 110. “The New Television”, by Douglas Davis and Allison Simmons, Cambridge, M.I.T. Press, 1977, pp 145, 147, 281-282. “The Rise of the Unmeltable Ethnics ”, The new political force of the seventies. Michael Novak, The Macmillan Company, 866 Third Avenue, New York, N.Y. 10022, p 5. “World Art Trends”, 1983-84, Walter Zannini, Harry N, Abrams, Inc., Publishers, New York. “Videokunst in Deutschland”, 1963-1982, Wulf Herzogenrath, ed., 1982, pp 15, 134-135, 246, 306 (photos). Magazines “Action Theater”: The Happenings of Ken Dewey, Franklin Furnace Archive, Inc., 112 Franklin St., New York City 10013, 1987, Tambellini in Section under September 16, 1972. “Art in America”, Volume 55, Number Three, May-June 1967, Art in America Co., Inc. 635 Madison Ave., New York, NY 10022; pp 43, 44. “artscanada”, April 1968, issue no. 116/117 Toronto, Canada, “Impermanence” pp 35-36, (Interview, statements by Aldo Tambellini and 4 engineers, photos). “artscanada”, multimedia isle on Black, (statements and photos throughout the issue), formerly Canadian Art, October 1967, issue no. 113, pp cover, 2, 4, 5, 9, 14-16, 18. “Art Forum,” “History of Video Art”, by Barbara London, 1980. “Art in America,” September-October 1969, “TV The Next Medium” by John S. Margolies, “Art in America Co., Inc. 635 Madison Ave., New York, NY 10022, pp 54-55. (2 photos and statements). “Arts Magazine,” May 1967 NYC, “Understanding Media: Passage Beyond Defixition”, by Jud Yalkut, THE ART DIGEST, INC. New York, NY, 41 East 57th Street, New York, NY 10022. p 18. “Arts Magazine,” September – Octo 1969, “TV as A Creative Medium at Howard Wise, by Jud Yalkut p 22. “Art News”, February 1965, Jill Johnson, Review of “Quantum II” Art Show. “Art Transition”, Center for Advanced Visual Studies, Massachusetts Institute of Technology, Cambridge, Massachusetts, October 15 through 19, 1975, Video Arts section. “Ballroom dance magazine” Volume 9 No. 2 February 1968, Dance Magazine, Inc. 268 W. 47 St. New York, NY 10036, p 26 “Downtown Magazine”, October 7, 1967, “Cinema” by Jerry Wakefield, N.Y.C. “En Tourno al Video”, Eugeni Bonet et al, Barcelona, Spain, Editorial Gustavo Gili, S.A., 1980, pp 245-249, (photos). “Expanded Art”, by George Masuna. “Film Diary”, by Jonas Mekas, 1971. “Japan Co-op Newsletter, Film Magazine”, Tokyo, Japan 1969. “New York Magazine”, March 24, 1969, “The Art of Television”. “Newsweek”, March 18, 1968, “Art Mixed Bag”. “Origins & Development of Kinetic Art”, by Frank Popper (New York Graphic Society) p 199. “The Sign”, National Catholic Magazine, March 1958. p 44.“Status Magazine”, October 1966, “Underground Movies & Mixed Media Shows” by Richard Preson, N.Y.C. “20 Cents Magazine”, Western Ontario, Canada, November 1966, “A Conversation About Mixed Media from New York as soon at University of Western Ontario and McMaster University. “Video 80”, Vol. 1, No. 1, “West German Video” by Wulf Herzongenrath, p 32. “Videography” March 1978, United Business Publications, Executive & Editorial Offices, 750 Third Avenue, New York, NY 10017, Getting into the Act; Video and Live Performance by Peter Z. Grossman, p 22. “Zona franca”, Revista De Literatura E Ideas: Caracas, Ano IV, Número 56 Abril de 1968. pp 52-53. Catalogues “ALTERNATING CURRENTS,” June 15—July 6, 1985, 17 White Street, New York, N.Y., 10013, pp 2, 7. “Ars electronica”, September 1980, Gottfried Hattinger, Brucknerhaus, Untere Donaulände 7, A-4010 Linz, p 111. “Ars Electronica,” Linz, 1982, pp 113, 143 (photos). “Ars Electronica,” Festival für Kunst, Technologie und Gesellschaft, Linz, 20. bis 27, Juni 1986; pg 366. “The Art Gallery Magazine”, February 1970, “Vision & Television” p 20. “Art in America”, May-June 1967, N.Y.C. “Light Art” by Nan R. Piene, p 44 (2 photos from “Black Zero”). “Artevideo e Multivision”, Lino Mantegna, Camel Award, Rotonda di via Besana 5/18 marzo 1975, p 2. “Arttransition”, October 15 through 19, 1975, Massachusetts Institute of Technology, Cambridge, Massachusetts-Center for Advanced Visual Studies and University Film Study Center-Face page for Video Art. “Arttransition”, Center for Advanced Visual Studies, M.I.T., 1976, pp 5-59, 106, (photos). “Bits of Art”, Sisson Gallery, Henry Ford Community College, Dearborn, Michigan, February-March 17, 1989, Self Portrait, 1987. “Boston: Now”, Part I: May 10-June 5, 1983, Part II June 14-August 14, 1983,Institute of Contemporary Art – Boston, 1982-83; Section II, pp 3rd and 4th. “Cable Vision”, “Atlanta Hosts Cable and the Arts”, September 15, 1980, pp 15-16. “Catálogo Geral”; 17a BIENAL DE SÃO PAOLO, 14 de outubro a 18 de dezembro de 1983, p 131. “CENTERBEAM,” Center for Advanced Visual Studies, Massachusetts Institute of Technology, Piene and Goldring, Editors, pp 122-123. “Center for Advanced Visual Studies”, Massachusetts Institute of Technology, Spring Semester, 1976/77, Center for Advanced Visual Studies, Massachusetts Institute of Technology, Building W11, 40 Massachusetts Avenue, Cambridge, Massachusetts, 02139 p 8. “Center for Advanced Visual Studies,” Massachusetts Institute of Technology, Fall Semester, 1977/78, Center for Advanced Visual Studies, Massachusetts Institute of Technology, Building W11, 40 Massachusetts Avenue, Cambridge, Massachusetts, 02139 p 49. “Center for Advanced Visual Studies,” Massachusetts Institute of Technology, Spring Semester, 1978, Center for Advanced Visual Studies, Massachusetts Institute of Technology, Building W11, 40 Massachusetts Avenue, Cambridge, Massachusetts, 02139 p 49. “Center for Advanced Visual Studies”, Massachusetts Institute of Technology, Fall Semester, 1978, Center for Advanced Visual Studies, Massachusetts Institute of Technology, Building W11, 40 Massachusetts Avenue, Cambridge, Massachusetts, 02139 2nd p from back cover. “Center for Advanced Visual Studies”, Massachusetts Institute of Technology, Fall Semester, 1979, Center for Advanced Visual Studies, Massachusetts Institute of Technology, Building W11, 40 Massachusetts Avenue, Cambridge, Massachusetts, 02139, photograph and bio 2nd from last page. “Center for Advanced Visual Studies”, Massachusetts Institute of Technology, Spring Semester, 1979, Center for Advanced Visual Studies, Massachusetts Institute of Technology, Building W11, 40 Massachusetts Avenue, Cambridge, Massachusetts, 02139, photograph and bio 3rd from last page. “Center for Advanced Visual Studies”, Massachusetts Institute of Technology, Spring Semester, 1980, Center for Advanced Visual Studies, Massachusetts Institute of Technology, Building W11, 40 Massachusetts Avenue, Cambridge, Massachusetts, 02139, photograph and bio 2nd from last page. “Center for Advanced Visual Studies”, Massachusetts Institute of Technology, Fall Semester, 1980, Center for Advanced Visual Studies, Massachusetts Institute of Technology, Building W11, 40 Massachusetts Avenue, Cambridge, Massachusetts, 02139, 13th page from front cover and 5th page from back cover. “Center for Advanced Visual Studies”, Massachusetts Institute of Technology, Fall Semester, 1981, Center for Advanced Visual Studies, Massachusetts Institute of Technology, Building W11, 40 Massachusetts Avenue, Cambridge, Massachusetts, 02139, photograph and bio 5th from last page. “Center for Advanced Visual Studies”, Massachusetts Institute of Technology, Spring Semester, 1982, Center for Advanced Visual Studies, Massachusetts Institute of Technology, Building W11, 40, Massachusetts Avenue, Cambridge, Massachusetts, 02139, photograph and bio 7th from last page. “Center for Advanced Visual Studies”, Massachusetts Institute of Technology, Fall Semester, 1982, Center for Advanced Visual Studies, Massachusetts Institute of Technology, Building W11, 40 Massachusetts Avenue, Cambridge, Massachusetts, 02139 4th p from back cover. “Center for Advanced Visual Studies”, Massachusetts Institute of Technology, Fall Semester, 1983, Center for Advanced Visual Studies, Massachusetts Institute of Technology, Building W11, 40 Massachusetts Avenue, Cambridge, Massachusetts, 02139 6th p from back cover. “Copy Art”, Océ-Industries, Inc., 6500 North Lincoln Avenue Chicago, IL 60645, pp 29-31. “CENTERVIDEO”, Film, Video, TV and Telecommunication, 1968-1981, Advanced Visual Studies, Massachusetts Institute of Technology, C.A.V.S./M.I.T., Piene with Goldring and Vin Grabil, pp 19-20, 32-39, 85-86, 93-96. “Creative electography at P.S. 161 man,” Board of Education, N.Y., N.Y., E.S.E.A Title I, TITLE I program at the Fiorello LaGuardia School. Aldo Tambellini, Consultant. “Die Zeit” 1968, Seite no – Zeit nr. 50, “Der Apparat und Seine Opposition – Im New Yorker Kunstbetreib Fundet Eine Auseinanbersetzung Stah” by Jurgen Claus, Germany. “Eiga Hydron, Film Review”, Tokyo, Japan, November 1968. “The Experimental Film Center”, Catalog, 1970, Athens, Greece. “First International video demonstration in Montbeliard “Global Village”, Video and Film Series, 454 Broome St., Chicago, Film and Video Department, Whitney Museum of American Art, 945 Madison Avenue, New York, New York 10021; p 2. “Grove Press Film Catalog”, Grove Press Film Division, 2353 East 11th St. New York, NY 10003; pp 60, 61. “International Animated Film Association”, Mamaia, Roumania, Bullitin Nr. 1-2 1970. “Kilner Stadt-Anzeiger”, Nr 212 Donnerstag, September 1968, “Licht Und Rhythmus Film Von Aldo Tambellini bei Xscreen. “Light as Art – Catalog”, September 1968, Newark College of Engineering, Newark, New Jersey (photo and statements). “MANTUA MAIL78”, Assessorato Cultura Comune Di Mantova, September/October 1978; p 58. “The Moving Image”, The Moving Image, WNYE-TV, Cahannel 24, 112 Tillary Street, Brooklyn, N.Y. 11201; A Television Series, 1970 “Aldo Tambellini TV Media Pioneer” pp 24-25 (statement & photos). “Museum of Modern Art Calendar”, NYC – Catalog November 24, 1970 “Evening with Aldo Tambellini Black Film Series”. “The Nation”, December 27, 1965, NYC, “Films: The Underground Renaissance by Howard Junker. “New American Video Art-A Historical Survey 1967-1980 traveling exhibition by the Whitney Museum of Modern Art, John G Hanhardt, “New York State Council on the Arts”, Annual Report 1969-70, “Film & Television” by Peter Bradley pp 59, 62, 63 (quotations and full page photo) N.Y.C. “Radical Software”, The Alternate Television Movement, Summer 1970, NYC p 17 (full page with photo, statements and poem). “Radical Software no 2”, 1970, photo p 25 NYC. “Sky Art ’83”, Massachusetts Institute of Technology, Center for Advanced Visual Studies, 1983. pp 39, 96. “Sky Art”, 1981 Center for Advanced Visual Studies, M.I.T., 1981 (photos). “10th Biennial Conference of National Art Education Association”, 1969, p 22, N.Y.C. “TV as a Creative Medium”, Catalog, May 17, 1969, Howard Wise Gallery NYC (quotation). “23rd Edinburgh International Film Festival”, - Catalog 1969, p 74, Edingurgh, Scotland. “Vision &Television”, An Exhibition of the Rose Institute of Fine Arts, January 21st-February 22, 1970, Rose Art Museum, Brandeis University, Waltham, Mass., pp 8-9 and back page of cover. “Weg Zum Nachbard”, March 1969, Stadhalle, Oberhausen, Germany “Westdeuth Kurzfilmtage”, Oberhausen, Germany 1969, “Weg Zum Nachbarn: by H.P. Kochenrath (Black TV) pp 19-20. “Views”, “Communicationsphere-Cable TV as an Art Medium”, Boston 1981, p 8. “Visions”, (BFVF), Performance Issue, “Sky and Communicationsphere,” by Aldo Tambellini, Boston, December 1982, p 6 “Visions”, Boston Film/Video Foundation, Inc. a Media Arts Center support in part by the National Endowment for the Arts, 1981 Volume V, Number 10 – December, 1981, pp 10-11. Newspaper Articles “The Boston Phoenix”, “Lifestyle”, cover story, August 18, 1981, Boston, MA. “The Christian Science Monitor”, Saturday, January 31, 1970, “Levine, Tambellini and TV: Tuning the Tube in An Art Museum” by Kenneth Baker (photo of “Black Spiral” from “Vision & Television”). “The Christian Science Monitor”, “Computers Focus Artist’s Talents:, September 3, 1981. “The Daily Princetonian”, Princeton, New Jersey, May 8, 1967, “McCarter Shows New Art Cinema by Robert Herbst & Peter Brown. “Dusseldorfer Nachrichten”, 9.9.1968, “Auf Dem Kirmesplatz Licht-Luft-Speil Von Piene und Tambellini. “The East Village Other”, N.Y.C., January 23 – February 1, 1968, “Art: Child Is Black” by Lil Picard, pp 16, 17 (interview, photos, statements). “The Knickerbocker News”, Albany, N.Y., April 1968, “SUNY Happening No. 5 with Aldo Tambellini” by R.E. Krieger (feature article). “Le Monde”, “Le Tele D/Images”, February 6, 1981. “The Montreal Star”, Montreal Quebec, Canada April 29, 1968 “Underground Film” by Sydney Johnson. “The National Observer”, March 28, 1966, “The Movie Mélange – How Undergroung Films See The Light As A New Art Form”, by Douglas Davis. “New York Times”, “A Far Out Five”, June 12, 1966 (photo). “New York Times”, September 16, 1967, “For the TV Generation, Multimedia Techniques Bombard and Overload the Senses – Multimedia: Messaging the Senses for the Message” by Grace Glueck. “New York Times”, May 24, 1967, “Bar Hopping in Grand Style – A Happening”. “New York Times”, February 4, 1968, “Art Notes: The More The Media” by Grace Gleuck. “New York Times”, March 9, 1968, “Brooklyn is Host to Intermedia ‘68’ “Traveling Festival Offers 3 Events at Academy” by Grace Glueck. “New York Times” March 23, 1969, “T-Visionaries: by Grace Glueck. “New York Herald Tribune”, January 6, 1965, “Art Tour” “The Galleries, A critical Guide” by Gruen. “New York Herald Tribune”, Sunday June 13, 1965, “Rebellioin in Art Form: Tambellini’s Black 2” feature article by Don Ross, p 39. “The New York Post”, November 14, 1965, Black Zero at Cinemateque”. “The New York Post”, “Around Town, March 5, 1983. “New York World Telegram & Sun, December 16, 1965, “Space World in ′Black Zero’ ” by Jeremy Heymsfeld. “The Real Paper”, “Short Takes 6/21/80, McLuhan’s Revenge”, Boston-June 21, 1980. “Sparechange Newspaper,” “A Convergence of Complex Voices”, “The Syracuse Post Standard”, Sunday Magazine, January 27, 1963, Syracuse, N.Y. “A Syracuse Rebel in New York” by Walter Carroll (Cover- photo of artist and sculpture, pp 4-5 article and 6 photos of sculpture). “The Tartan,” October 2, 1984 “ Students capture actions in video workshop” Cathi Breza, p 5 Carnegie Tech, Pittsburg, PA. “Tech Talk”, (M.I.T.), Vol. 23, No. 35, “Video Exhibit Announced”, May 16, 1979. “Tech Talk”, (M.I.T.), Vol. 24 m Bi, 19, “TV to TV”, Communications Event to Enlist Community”, December 12, 1979. “Tech Talk”, (M.I.T.) Vol. 24, No. 25, “M.I.T. to Participate in Worldwide Telecommunications Conference”, February 13, 1980. “Tech Talk”, (M.I.T.) Vol. 25, No. 3, “Tambellini to Present Video Event”, August 13, 1980. “Tech Talk”, (M.I.T.), “CAVS Retrospective Works Make Trans-Atlantic Crossing”, February 4, 1981. “The Torch”, N.Y.C. May 1, 1967, “Intermedia At The Gate” by Sal Fallica. “Toronto Daily Star”, Toronto, Canada, October 6, 1967, “Black Art and Instant Movies” by Robert Filford. “21 Annual Convention NY State Art Teachers Association”, “Art: Education Today for Tomorrow. “Underground America”, by Kenji Kanasaka, Tokyo, Japan 1968, p 193 (photo). “Variety”, April 9, 1969, “18 Nations’ Shorts at Oberhausen, Yanks Prominent”, NYC. “The Village Voice”, January 14, 1965, “Art”, Group Center by David Bourdon, N.Y.C. “The Village Voice”, September 30, 1965, “Theatre Post Mortem” by Susan Sherman. “The Village Voice”, March 14, 1968, “Intermedia” ‘68’ (photo). “The Village Voice”, December 5, 1968, N.Y.C. “Music: Spaces” by Carmen Moore. “The Village Voice”, April, 1969 “TV” by Stephanie Harrington. “The Village Voice”, “Scenes”, September 21, 1972, (photo). “Wheaton News”, December 1982, p 3, Wheaton College, MA. “Zona Franca”, Caracas, Venezuela, April 1968, “El Nuevo Cine”. Poetry “AETH PA,” Volume 3, 2004, Moscow Russia “Black Rose”, Fall ’79, Black Rose PO Box 1075 Boston, MA 02103, Back of Front Cover. “City of Poets”, 18 Boston Voices, Singing Bone Press, 33 Ibbetson St., Somerville, Massachusetts 02143, pp93-98, 105 and picture on back cover. COAEPKAHNE, Volume 20, 2005, Moscow Russia “The Other Side of Sorrow”, Poets Speak Out about Conflict, War, and Peace, Frisella, Buckley; Poetry Society of New Hampshire, 31 Reservoir Road, Farmington New Hampshire 03835, pp 21, 66, 211. “Out of The Blue Writers Unite”, Poetry and Prose from the Out of The Blue Art Gallery; Priestly, Gager; Crooked River Press, pp 145-145. Journals “Art Journal,” Video the Reflective Medium, Published College Art Association of America, Fall 1985, pp 250, 251. “Leonardo,” Connectivity: Art and Interactive Telecommunications; Volume 24, Number 2; Pergamon Press, plc. Headington Hill Hall, Oxford, OX3 0BW, U.K., pp 189-190. “Millennium Film Journal,” Video and Video Installation, Number 29 Fall 1996, Millennium Film Workshop Publishing, New York., p 23 “Space Design No 64: Monthly Journal of the Arts & Architecture”, Tokyo, Japan – Article on TV, February 1970 (photo) Kajima Institute Publishing Co. “The Use and Abuse of Things”, Chicago Art Journal Spring 2002,Chicago Art Journal, Department of Art History, The University of Chicago, 5540 S. Greenwood Avenue, Chicago, IL 60637. “VIA”, Voices in Italian Americana, a literary and cultural review, Journal, Tamburri, Guiordano, Gardaphé, Bordighera Incorporated, “VIA”, Voices in Italian Americana, a literary and cultural review, Journal, Tamburri, Guiordano, Gardaphé, Bordighera Incorporated, TV Interviews “CBS-TV”, June 19, 1965-Broadcast by Joan Murray interviewing Tambellini in his studio on the subject of “Black” as an aesthetic concept. |
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