"The Black Film Series, a sequence of seven films made between 1965-69, is a primitive, sensory exploration of the medium, which ranges from total abstraction to the assassination of Bobby Kennedy, the Vietnam War, and black teenagers in Coney Island. Before picking up a camera, Tambellini physically worked on the film strip, treating the emulsion with chemicals, paint, ink and stencils, slicing and scraping the celluloid, and dynamically intercutting material from industrial films, newsreels and broadcast television. Abrasive, provocative and turbulent, the series is a rapid-fire response to the beginning of the information age and a world in flux. "
– Mark Webber, Independent Film, England
| EXPERIMENTAL FILM |
 |
1965-1968 |
BLACK IS: 4 min. long
First film
Done entirely without the use of a camera
BLACK TRIP 1: 4-1⁄2 min
BLACK TRIP 2: 3 min.
BLACK PLUS X: 8 1⁄2 min.
BLACKOUT: 9 min
MOONBLACK: 14 min
BLACK TV: 10 min
Winner of the Grand Prix at Oberhausen Film Festival 1969 |
|
|
2004 |
LISTEN 2005
Winner of 1st Prize Experimental Film by Independent Filmmaker at
New England Film & Video Festival
Selected at Potenza Film and Video Festival, Potenza, Italy |
|
| |
| FILM FESTIVALS AND SCREENING (partial listing) |
|
1967 |
1st Festival of North American Cinema
Cinectiy, Toronto, Canada
Sogetsu International Experimental Film Festival, Sogetsu, Japan
2nd Underground Film Festival
Tokyo, Japan
EXPO ’67
International Festival of Film for Young People
Youth Pavilion
Montreal, Canada |
|
1968 |
X Screen
Museum Allrof-Richartz, Cologne, Germany
One man Film Exhibition
1968 Yale Film Festival
Yale University, New Haven, CT
"BLACK TV" split screen received Honorable
Mention
6th Annual Avant-Garde Film Festival
New York, N.Y.
Film Festival
San Francisco State College
San Francisco, CA |
|
1968 & 1969 |
Ann Arbor Film Festival
Ann Arbor, Michigan “BLACK TV” received Honorable
Mention |
|
1969 |
Oberhausen Film Festival
Oberhausen, Germany
Won Grand Prix for "BLACK TV" |
|
1971 |
Jewish Museum
New York, N.Y.
One Man Film Show
Museum of Modern Art
New York, N.Y.
"Cineprobe"
One Man Film Show |
|
1974 |
Anthology Film Archives
New York, N.Y.
One Man Exhibition "From Film to Video" |
|
1975 |
Center for Advanced Visual Studies
MIT, Cambridge, MA. "Arttransition"
Split-screen film projection & Video Performance |
|
1977 |
Documenta 6
Kassel, Germany |
|
2003 |
1st HOWL Festival
New York, N.Y.
Mini-Film Retrospective |
|
2004 |
2nd HOWL Festival
New York, N.Y.
Mini- Retrospective of film and video
Premiere screening of new computerized film "LISTEN"
New England Film and Video
Brookline, MA.
Winner First Prize for Experimental Short by Independent Filmmaker
|
|
2005 |
3rd HOWL Festival
New York, New York
Premiere Screening of “Digital Triptych,” “–1
(Minus One) |
|
2006 |
Screening of “LISTEN”
Syracuse International Film Festival
Winner of First Prize Experimental Short Category |
|
2006 |
OFF: Other Film Festival
Queensland, Australia
screening: Black Plus-X, Black & White; Black Trip, Black & White; Black T.V., Black & White |
|
2007 |
OFF: Other Film Festival
BRISBANE: INSTITUTE OF MODERN ART,
OLD MUSEUM, AHIMSA HOUSE.
MELBOURNE: ACMI
Screened: Black Trip |
|
2007 |
Art Gallery of New South Wales: Expansive Cinema 2-5
New South Wales, Australia
Screened: Black Trip |
|
2007 |
Syracuse Film Festival, NY
retrospective of Aldo Tambellini’s film & video work
Aldo received Lifetime Achievement Award |
|
2007 |
Evolution Film Festival, Leeds, UK
retrospective of Aldo Tambellini’s work in film & video |
|
2007 |
Lucca International Film Festival (Italy)
retrospective of Aldo Tambellini’s work in film & video |
|
2007 |
SNOB (Somewhat North of Boston Film Festival) N.H.
retrospective of Aldo Tambellini’s film & video |
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|

BLACK IS (1965)
To the sound of a heartbeat and made entirely
without
the use of a camera, this film projects abstract forms and illuminations
on a night-black background and suggests as Tambellini says,
“seed
black, seed black, sperm black, sperm
black.” Grove Press Film
Catalog

BLACK TV (1968) Split screen
Statement by Aldo Tambellini
this is the news:
time is shooting from the video gun
images are bullets targeting the screen
TV the assassin of reality is a weapon pointed at your mind
the sixties have passed/recorded/obliterated/stored/erased death/starvation/riots/assassinations/moon landing/ bombs/choppers/astronauts
familiar images stored in the videodisk of the mind recalled
Black TV begins with the beam turning on
the white noise the electronic snow
Black TV ends with the beam going off
to black
Black TV won the Grand Prix at the 1969 Oberhausen
International Short Film Festival. "The film is an artist’s
sensory perception of the violence of the world we live in, projected
through a television tube. Tambellini presents it subliminally in rapid-fire
abstractions in which such horrors as Robert Kennedy’s assassination,
murder, infanticide, prize fights, police brutality in Chicago, and
the war in Vietnam are out of focus expressions of faces and events."
Grove Press Film Catalog
BLACK TRIP (1965)
Through the uses of kinescope, video, multimedia, and direct painting on film,
an impression is gained of the frantic action of protoplasm under a microscope
where an imaginative viewer may see the genesis of it all. – Grove Press
Film Catalog
BLACK TRIP 2 (1967)
“An internal probing of the violence and mystery of the American psyche
seen through the eye of a black man and the Russian revolution.”– A.T.
BLACK PLUS X (1966)
Tambellini here focuses on contemporary life in a black community. The
extra, the “X” of Black Plus X, is a filmic device
by which a black person is instantaneously turned white by the mere
projection of the negative image. The time is summer, and the place
is an oceanside amusement park where black children are playing in
the surf and enjoying the rides, quite oblivious to Tambellini’s
tongue-in-cheek “solution” to the race problem. – Grove
Press Film Catalog |